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November 26 2012 16:08:26.
Today Wednesday 22 May 2013 04:31:58
Turn to game theatre.
"Serso" Victor Slavkina. A small scene of theatre on Taganke, 1985ã.
After the compelled leaving from theatre of K.S.Stanislavskogo Anatoly Vasileva Yury Ljubimov and the main artist of theatre David Borovsky have sheltered. Bohr saw "the Adult daughter of the young man" to whom he was invited by Igor Popov. And, obviously, after viewing of this performance Bohr has understood that deals with the serious creative people who have appeared in a difficult situation.
On a small scene of theatre on Taganke also there was a following performance of Vasileva - "Serso", again under Victor Slavkina's play. But this play has already been made on a joint plan of the director and the playwright which for the last years became not only creative adherents, but have appeared are connected by great friendship.
It is performance was about us. Reconsidering it (in videorecording), re-reading the play, I remember the past. Now such sensations any more does not remain. Whether life has changed, whether we have changed. And, nevertheless, any feelings for a long time forgotten and as if erased from a film of memory, again emerge and return memoirs of the last life. It at everyone the. And that was in it to the main things essential, and what has flown as a dream what has not taken place in accordance with the circumstances or own nonsense, short-sightedness (who knows, what waits ahead?) that it is impossible to tell now even to the relatives, suddenly any has oddly flown in this performance.
"Anything is not present, besides, that already is", - these words of the Cockerel from "Serso" the big wisdom. Also there are only ourselves at ourselves as Vasilevym in an epigraph to the performance videorecording which first certificate it has shown on the 19 anniversary of the theatre is told. Ourselves at itself - with cargo of the lived emotional experience which, probably, has taught nothing, with those nesvershenijami in which it has once been enclosed so many feelings and souls. But we all the same are at ourselves. And we have our past. It consoles.
This performance has told about about what it is impossible to tell.
Vasilev as the director differs (or, at least, differed then) that was able to speak about internal, not sobytijnyh, not distinct to strangers things. About illusions, about secret desires of soul, about aspiration to something, about failures, about partings, about much such that is given only in a cloud any vague, implicit, but strong sensations. To that almost you will not pick up the name. That you will not issue in clearly drawn plots.
He was able to tell about internal, which
Almost never expresses itself directly, but it is shown in trifles, nuances, the unexpected cross sights constrained, but expressive intonations.
And me it was thought, reconsidering performance "Serso" that we led very intense sincere life. We then scattered stones. And now, obviously, time them has come to collect. But it already other theme.
Performance also has embodied in itself, this intense sincere life. But it, however, kept on a film, so efemerna as was and in a reality. Because transfer internal is the most thin, biggest and most tragical art. For the internal has no visible form. And that that is, is almost imperceptible.
The company from six persons has arrived for the weekend to spend time in a country house which was inherited from the cousin grandmother by the hero of this history, the Cockerel (Albert Filozov). This Cockerel also has collected different people the big half from which is connected by nothing among themselves outwardly, not internally. Nevertheless, all of them make its vital environment.
Girl Nadja (Natalia Andrejchenko) of 26 years, its neigbour whom it meets in the mornings at a refuse chute and each time concedes it turn.
The former girlfriend Valjusha (Lyudmila Poljakova) from whom about ten years ago at it was so anything and not ended novel.
Somebody the Pasha (Dmitry ShCherbakov), the historian by training, now earning and thus very much not badly provides with that upholsters doors of apartments the material well-being.
Vladimir Ivanovich (Yury Grebenshchikov), the colleague.
Foreigner Lars (Boris Romanov), the casual passer-by from street with which the Cockerel has got acquainted while both of them passed road to red light.
From the point of view of life it is possible to name this company casual. From the point of view of art sense it is quite symbolical. Because all these people have one general property - everyone is in own way lonely.
"... Everyone... One. I - one, you - one, it - one. We about d n and", - the Cockerel speaks.